Vol. 2 No. 2 (2021): SOCIAL (DYS)FUNCTIONS OF ART: FROM INSTRUMENTALISATION TO EMANCIPATION

Articles

• AESTHETICS AND IDEOLOGY OF THE CLASSICAL HOLLYWOOD WESTERN

  Nikola Božilović

  17-35

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• FORGETTING THE PAST AND ENVISIONING THE FUTURE: THE MODEL-CHARACTER OF THE POLITICALLY INDIFFERENT CITIZEN IN THE GREEK COMMERCIAL POST-CIVIL WAR CINEMA (1948-1967)

  Tasos Angelopoulos

  37-53

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• THE (DYS)FUNCTION OF ART IN ANCIENT AND CONTEMPORARY EGYPT: RELIGION, IDENTITY AND MIND

  Theresa Wilshusen

  55-65

  • PDF

• MOROCCAN FACEBOOKERS AND THE VISUAL RETHORIC OF POLITICAL NEGATION

  Driss Faddouli

  69-80

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• THE ARTIST AS A REBEL IN THE ENCOUNTER OF EXISTENCE

  Nataša Vilić

  81-90

  • PDF (Srpski)

• CULTURE AND ART AS THE CONTENT OF THE CULTURAL NEWS OF THE RADIO TELEVISION OF SERBIA: A CASE STUDY

  Neda Necić

  91-102

  • PDF (Srpski)

• IDENTITY INDETERMINACY AS A LIFE STRATEGY IN THE MOVIE NOMADLAND AND NOVELS BY BEKIM SEJRANOVIC

  Duško Trninić

  105-120

  • PDF (Srpski)

• SIGMUND FREUD’S FORGOTTEN PEOPLE: THE POLITICAL ASPECT OF CULTURAL MEMORY IN THE READING OF GOCE SMILEVSKI

  Petra Mitić

  121-139

  • PDF (Srpski)

• THE PERFORMANCE OF WATER – ART AND ARTIVIST PRACTICES

  Suzana Marjanić

  143-156

  • PDF (Srpski)

• „CLEANING THE CITY“ – CITIZEN EMANCIPATION THROUGH PERFORMATIVE ENGAGEMENT IN PUBLIC SPACE

  Jelena Stanković, Diana Stupar, Tanja Trkulja

  157-173

  • PDF (Srpski)

• TOWARDS AN AESTHETICS OF THE CROWD: PUBLICS, POLITICS AND THE DEMOCRATIC SELF IN SCHLINGENSIEFʼS PLEASE LOVE AUSTRIA (2000)

  Tanay Gandhi

  175-195

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• RE-EDUCATIONAL TREATMENT OF JUVENILE CRIMINALS BASED ON A DRAMA APPROACH

  Nebojša Macanović

  199-209

  • PDF (Srpski)

• RISE OF PERFORMATIVE SOCIAL SCIENCE: TOWARDS NEW FORMS OF PRAXIS

  Dalibor Savić

  211-231

  • PDF (Srpski)